GRAS: Generally Recognized as Safe
GRAS: Generally Recognized as Safe
Alex, a veterinary pharmaceutical sales manager, struggles to secure her crumbling client base when new FDA guidelines restrict the use of antibiotics in livestock. She attempts to win back her veterinarians by whatever means possible, but at what cost?
Alex, a veterinary pharmaceutical sales manager, struggles to secure her crumbling client base when new FDA guidelines restrict the use of antibiotics in livestock. She attempts to win back her veterinarians by whatever means possible, but at what cost?
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Story
About The Project
THE STORY
Alex, the regional manager of a veterinary pharmaceutical company, risks losing the majority of her client base, unless she can buy their loyalty before new FDA guidlines-- requiring farmers to acquire prescriptions for antibiotics for livestock-- become law. With corperate superiors threatening to close her branch, if she can't meet her quota, Alex endeavors to win the veterinarians' business by touting a loophole in the new law that promises profit, despite the law's intentions. When an unknown veterinarian challenges the legitimacy of her recommendations, Alex's job, family, and the foundations of her beliefs hang in the balance.
WHY GRAS NOW?
After many years of being concerned about our food industry’s focus on short-term profit over public safety with regards to the use of pharmaceuticals, I decided to research the actual governmental policy that is supposed to protect us. I bypassed the numerous activist sites and went straight to the primary sources -- the actual legal documents that govern the industry. My findings were a bizarre combination of contradictory policies that are laden with loopholes and an undeniable tendency to defer the responsibility of regulation directly to the companies that stand to profit from the least regulation.
I found that most of my friends, family, and colleagues were not aware of this tendency. As a whole, they were shocked to learn about how relatively ineffective the governmental agencies are in many aspects of regulating and protecting our food. However, no matter how surprised or frustrated they were upon learning this new information, they, almost unanimously, adopted the ‘general glaze’ immediately afterward. The eyes disengaged, and the genuine concern, no matter how disturbed they initially were, was pushed aside.
We are making GRAS to address this question: When does policy become personal? At the root of the story is Alex's conflict between the genuine concern she has for her daughter, knowing how her company's actions threaten her daughter's safety, and the simultaneous need to survive by doing well at her job in order to provide for her. As the film progresses, she is forced to confront this discrepency and reconcile the two.
While Alex is forced to make a choice, however, most of us never need to directly confront the results of the policy our actions indirectly support. We, too, are busy merely surviving. However, I hope that, by following Alex's journey, we will begin to think about, not only current food industry practices and our implicit role in their propogation, but also about what in our lives legitimately requires the 'blind eye' and what deserves greater attention and involvement.
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$10 USD
Socialite
A huge "thank you" shouted from Facebook and Twitter
Claimed: 2 of 'Unlimited'
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$25 USD
Seeds of Change
A personal thank you from the director and producer, a copy of all the original information and research we used in preparation for the film, and a surprise package of seeds to plant at home!
Claimed: 6 of 'Unlimited'
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$50 USD
Private Screening & Q&A
We will host a YouTube screening of the film -- and you're invited! We will send you a private link and password, and then hold a Q&A over Twitter so we can share ideas about the issues presented in the film.
Claimed: 1 of 'Unlimited'
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$75 USD
Original Music from the Film
Receive everything in the lower tiers and a copy of the original music from the film -- composed by Kevin Barber and recorded live in a musical studio with extremely talented musicians.
Claimed: 2 of 'Unlimited'
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$100 USD
Get Recognized
A very special thank you in the credits at the end of the film plus all the incentives from the lower tiers.
Claimed: 7 of 'Unlimited'
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$500 USD
Associate Producer
Receive credit as an Associate Producer in the film with your generous contribution, as well as all the incentives from the lower tiers.
Claimed: 0 of 'Unlimited'
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Current Team
About This Team
Kevin Barber: Writer/Director/Producer/Composer
Kevin has spent the majority of his professional life as an actor in regional theaters accross the country and in numerous short and feature films in New York and on the West coast. In 2013, he wrote and directed his first film, Co-Insurance. Since then, he has continued being involved in film-making as a director, writer, and composer. Kevin graduated from Vassar College with a B.A. in History and a M.F.A. in Acting from Florida State University.
Oriana Oppice: Actor/Producer
Oriana is a director, actor and producer. She was born in Sicily and grew up in Chicago. Beginning her career in Los Angeles, she has appeared in numerous television shows, including House of Cards and Person of Interest, and is constantly involved in the independent film circuit. Lobster fra Diavolo, a comedy she directed, produced, and starred in, has won multiple awards and screened at many film festivals, including Cannes. "Camp Belvidere," for which she was the co-director, has enjoyed immense success both in the United States and around the world. Oriana is a detail-oriented director and producer, and leverages her experience in analysis and communication throughout her work. Oriana holds a B.A. from McGill University in International Relations and an M.A. from the University of Chicago in International Law.
Josef Orlandi: Cinematographer
Josef has been a professional cinematographer for more than 12 years on over 23 films. His work has screened at the Sundance Film Festival and Tribeca Film Festival, among many others. He also won the award for Best Cinematography in 2014 at the Terror Film Festival. In addition to his work as a Cinematographer in films, he has shot dozens of music videos, T.V. shows, commercials, and industrials for clients such as NBC, MTV, Honda, the Barenaked Ladies, and Canon.
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